Thrilling car chases and an electrifying soundtrack

The opening scene of “Baby Driver” shows Baby (Ansel Elgort) driving three tough and heavily tattooed individuals holding weapons to a bank. Baby drops the three people off and pushes play on his ipod and the song “Bellbottoms” begins to play (don’t know it? Neither did I but it’s awesome!). Baby jams in the car enthusiastically, clearly knowing the song intimately. He glances over at the individuals robbing the bank and then turns back to his song. Very shortly, the individuals come out and Baby with a casual grace just starts speeding away.

It isn’t long before the bank robbers are in a massive car chase through the city streets of Atlanta trying to evade the cops (and what appears to be the entire police force based on the number of cop cars). It becomes clear why Baby is behind the wheel. He deftly maneuvers around corners, pulls U-turns with ease, drives the wrong-way down a freeway entrance ramp and then, like that’s how you are supposed to enter the freeway, turns around to be going the correct direction. He makes getaway driving look like a car ballet. Throughout the entire chase the song “Bellbottoms” continues to play in the background getting Baby and the audience equally pumped up. The scene is exciting and slick and just downright fun to watch.

Ansel Elgort is just the right person for this role. He was wonderful in “The Fault in Our Stars” and easily steps into the role of Baby, who is a bit of a loner and a dreamer. Baby is an avid lover of music and sounds in general. He keeps a recorder with him at all times just to capture bits of conversation that he then creates into catchy mixes. We learn early in the movie that Baby was in a car accident when he was young. His parents were killed and Baby ended up with tinnitus, which is a constant ringing in the ears. He continuously listens to music because of the ringing as a way to stay focused and concentrate.

Many of the criminals in “Baby Driver” seem to have a problem with Baby. They find him odd because he doesn’t talk much. They think it’s weird he is always listening to his music and is never seen without sunglasses on his face. One can ponder why he is always wearing the shades. Maybe it’s his signature look. Maybe it’s to make identification harder. I personally think it’s because he’s surrounded by hardened criminals and when he takes off the glasses, he looks, quite literally, like a sweet, innocent baby boy.  It’s fun to see a character who has self-assurance and confidence in who he is without any type of bravado and how intimidating that can be for many people (both in the film and in reality I believe).

The cast also include Lilly James playing the love interest and fellow music enthusiast, Kevin Spacey playing the boss, Jon Bernthal (best known from the early seasons of The Walking Dead), Jon Hamm, and Jamie Foxx. When the criminal characters are all in a room together they peacock around trying to prove who is the toughest with constant commentary about the vast many people they’ve killed. One man has a tattoo of “HAT” prominently on his neck. He explains that it used to say “HATE” but he had difficulty getting a job. When asked how the job prospects were after the switch, he said with a shrug, “who doesn’t like hats?” 

“Baby Driver” is a simple movie. The car chases never get too long. I’m not sure there was any CGI. There isn’t a 45-minute, drawn-out action sequence at the end. I also enjoyed that the movie didn’t make emotional decisions for the viewers or fill-in every detail of plot. It allowed the viewer to draw his or her own opinions and theories of the varied characters. It was clear each individual was more than who they said they were to their compatriots. Was Jon Hamm a hardened criminal or a businessman with a coke habit trying to play a criminal? In the end you are allowed to ponder, was Baby a “bad” guy trying to get straight or a “good” guy caught up in a life of crime. 

Something must be said about Baby Driver’s soundtrack. In a word, it is amazing. It’s filled with songs I had never heard before but loved instantly as well as classics. It isn’t so much about any one song specifically but how the music in the movie is like another character. It isn’t a musical but the soundtrack is an integral part of the movie. The music and the songs are a part of every scene. Baby responds and interacts to the songs, the other actors listen to and respond to the music. I wasn’t even out of the parking lot before I had downloaded the soundtrack!

The movie drags ever-so-slightly towards the middle to end and I found myself unnecessarily confused with the details of a heist. That being said, I loved “Baby Driver”. I’m tired of the superhero movies that inundate our theatres throughout the summer months. “Baby Driver” was a breath of fresh air. Simple. Exciting. Fun. A great cast and a killer soundtrack. Does it get any better than that?

Critic Rating: A-

Entertainment Rating: A+

 

The most horrifying ‘meet the parents’ story ever!

Get Out Image

As an avid horror movie fan, I was excited to see “Get Out” as it had a 100% Rotten Tomatoes rating when it opened and then after a day or so dropped all the way to 99% and has been holding steady at that percentage. There isn’t a current movie out there with a 99% rating, let alone a horror movie! In fact, “Get Out” is in the top 30-rated Rotten Tomatoes movies of all time. Let that sink in.

“Get Out” was written and directed by Jordan Peele (of the comedy duo Key and Peele). It stars Daniel Kaluuya (an unknown to me going into the movie), Allison Williams, Catherine Keener and Bradley Whitford (looking significantly older and almost unrecognizable from his “West Wing” days).

The premise of the movie is fairly simple. Rose (Williams) is bringing her boyfriend, Chris,  (Kaluuya) home to meet her parents for the weekend. That’s it. The only other important factor, which seems almost trivial in this day and age, is that Rose is white and Chris is black. Chris asks Rose prior to leaving if her parents know he is black. He’s clearly worried that he may be walking into an awkward weekend with racist, or at the very least, mildly prejudiced parents. Rose assures him that her parents are going to be cool and goes so far as to say her father would have voted for Obama a 3rd time if he could have (a reassurance, I guess, that he isn’t racist).

Initially Rose’s parents (Keener and Whitford) seem cool and the kind of parents one would love to meet but that quickly fades away as little by little the creep factor starts to build. Chris finds it a little odd that the parents have two black people as their hired help. And it isn’t just that they are black, it’s that they are really peculiar individuals. There is the laconic maid/cook with her empty expressions, who also likes to stare at her own reflection when she thinks no one is looking. Then there is the gardener, with his inappropriate and off-putting comments, along with his bizarre and frightening routine that only happens at the dead of night. Rose’s brother also drops over for the weekend and everything about him is odd from his disheveled appearance to his playful banter that turns uncomfortably aggressive during a family dinner. I can say little else about the plot because the horror in this movie is all about the pacing and the unraveling of the film that goes from idyllic to horrific in the matter of 48-hours.

“Get Out” is a well-told story. Its horror lies in the simplicity and the fact that it leaves nothing to waste. Every plot-point gets used including the stories people tell, minor pieces of dialogue and seemingly trivial backstory. After seeing “Get Out,” I spent the next couple of days remembering and thinking of different comments that were made earlier in the movie and how those became so relevant later. It was masterful.

I was talking to my husband as we excitedly left the theatre about how impressive this movie was and we started discussing about what makes a perfect horror movie. The plot needs to be simple, unique, with stars that don’t overshadow the movie. I would also say that a good horror movie relies on psychological horror over gore. There can be gore but the scariest parts of the movie are the horror of the situation and the gore and violence is almost secondary. There are a few exceptions to that rule but not a lot. Finally, I would argue that a good horror movie has some humor sprinkled throughout the film. “Get Out” hits all these aspects and I would argue, is close to a perfect horror movie.

The subject matter of the film is an interesting one in today’s political climate and there can be no doubt that Jordan Peele is making a commentary on racial prejudice and stereotypes in our world today. There may be enhanced fear when the villains aren’t wearing sheets and pointy white hats but instead are like the wolves dressed as sheep, walking among us, and the horror is never knowing who they are.

Social commentary and politics aside, the movie is great fun, so get out and see “Get Out”!

Critic Rating: A+

Entertainment Rating: A+